Suicide Squad Movie Poster

Suicide Squad Movie Poster

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Well, hey everybody. Welcome into this Suicide Squad Movie Poster, brought to you,  Today we’re going to take a look at creating this pretty cool Suicide Squad Movie Poster effect. Slicing and dicing and making it look real nice in there. Covering all the techniques you need to know in Photoshop, so you can create that effect, as well.

Suicide Squad Movie Poster

Suicide Squad Movie Poster

 

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1.First You Have To Download My HD Background Stock
2.Then You Have To Open Photoshop
3.When You Open The Photoshop Application You Have To Replace Your Photo With My HD Background
4.Then You Have To Erase Your Background With Photoshop Using PEN Tool Or Any Other Eraser Tool
5.And Then Adjust Your Photo With The Background
6.And You Can Also Add Some Effects Like ( HDR Effect , Smoke , Dudge And Burn , Shadow , Color Grading )
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Let’s jump into picsart right now and get this thing started. Almighty, folks, here we are in Photoshop. This is the effect we’re going to be creating. Well, this is another example of the effect.

We’re actually going to be doing the orange juice effect. But you can do it with anything. You could do this with strawberries. You could do it with pineapples. Really anything. A mango! Any kind of fruit. Suicide Squad Movie Poster

But let’s get started by going File>New and great a new document. A new document, 2560×1440. It’s just my favourite size working in Photoshop right now. I don’t know why. It just is. I’m going to go ahead and create, and we want to do a couple things.

The first thing we’ll do, is establish a simple, glowing background. We’re going to do that by coming down here and hitting this half white, half black circle, and choosing solid color to great a solid color layer. Suicide Squad Movie Poster

And I’m going to give this a very, very subtle orange color. So, I’m going to go with a very light, orangey color. Maybe something like that. And the nice thing about the solid color fill layer? Very easy to change later on.

I’m going to hit the little lock icon, and drag the original background layer down to the garbage. I’m going to create a new layer.  to name this layer “glow.” Place a nice glow in the middle. What I’ll do here is use my brush tool.

I’m going to right click, and I’m going to say, let’s reduce the hardness to zero, and increase the size a lot. Let’s bump it up to 650, or something. Now, white is my foreground color. I’m going to click a single time. Maybe twice, and then I’m going to grab my regular move tool, and I’m going to hit CMD/CTRL+T which open up free transform. Maybe I’ll zoom out a little bit.

Hold down SHIFT+OPT, that’s SHIFT+ALT on the PC, and then scale up the glow in the middle until it’s reasonably sized. Go ahead, and commit that change. You can go as close or as far from the centre as you like. Something like that will look good for me here and I’ll probably go ahead and reduce the opacity of this glow.

Knock it down to something subtle. 56& opacity is what I’m rolling with here, just because I like it. Alright, so for the actual juice effect, I have four stock photos. Now, these are Adobe stock photos, so I can’t distribute them for free. But you can get them on Adobe Stock. Or, if you’re doing your own type of juice, you can go find your own photos. Or, just see what you can find for free online, for sure.

I’m going with a glass of orange juice. The great thing about this is, you could very easily with hue/saturation, make it pink for strawberry, or yellow for pineapple, or green if you’re going to do some sort of green fruit.

Maybe an avocado or something like that. I don’t know. Or, orange – well, maybe more of a pale orange color for cantaloupe, or, whatever! Whatever it may be. Green and red if you want to do watermelon.

The point is, it’s not a glass of water. The glass of orange juice is solid. You can’t see through it. So, that’s very conducive to easily changing the color. Now, as soon as I say that, I also have a blue water splash.

Now, you could go with splashing milk. But I thought the water was a little bit crisper looking, and would lend a more refreshing looking final image. Albeit, not as realistic. However, when we’re talking about making an image that has slices of fruit coming out of a glass, is realism really where we want to argue? Eh, I don’t know.

Maybe not. And then I’m also going to have a full orange, and all I’m going to do is peel the skin off the orange. You’ll see how we do that in a second. Then a slice of orange, so I can get the innards of the orange.

Now, for the pineapple, I basically have the same thing. Here and some milk there. But, an inside of the pineapple and an outside of the pineapple, and then I use the same glass of orange juice in the pineapple shots.

So, we’re going to begin by dragging in the orange juice. I’m going to drag my stock photo into this. Now, this is isolated over white, for sure. And it can be whatever, you just need to be able to isolate the juice,

and because it’s over white, it makes it very easy to go Select>Select the Subject. Which gives us a great little selection, and then I’ll probably go Select>Select and Mask, and make a couple changes.

You can see, it makes a pretty nice selection. Probably the radius up two or three pixels. I’ll feather the edges a little bit, and then boost the contrast to try to peel away any sort of little edges that need to be defragged around the glass.

I may even shift the edge back, negative 15 or 20% or so. And I’m going to output this to a layer mask. And I will hit OK. You can see, we’ve got a beautiful, simple, smooth, nearly perfect layer mask. And before I do anything else,

I want to change the color of the highlights. They’ve very white, bordering on pink. Or they look like they have a magenta tinge to them. Maybe because of the color we’re working with. So,

I’m going to add a selective color adjustment layer here, and I’m going to clip it to my orange juice by hitting CMD+OPT+G, or CTRL+ALT+G, and I want to work here within the whites,

because that’s what I want to change the color of. Let’s counterbalance that with giving it a healthy dose of yellow, as well. And you can see how this really makes it a rich orange.

I can back out some of that red to flatten the orange a little bit, make it more like a very orange juice light, or orange juice I’m going move it into place. So,

I’m going to say right about there should probably be my shadow. And what I’ll catch you in the next one.